Anyone else see "The Winner" with Rob Corddry on Fox last Sunday? While watching it, at first I thought it was supposed to be a parody of sitcoms because of the totally in-your-face laugh track. Generally, the comedies I like these days are sans laugh track---The Office, My Name Is Earl, 30 Rock. (That's random, those are all on NBC. Maybe they specialize in laugh-trackless comedy.) Even "How I Met Your Mother" (on CBS, ha!), although it has a track, keeps it pretty subtle (to the point I had to go back and watch a clip to see if it even had one because I hadn't really noticed before).
Anyway, The Winner, though, has a laugh track that is ridonkulous in scale, very loud and very ill-timed. I'm not the only one that's noticed this; the N.Y. Times found it grating as well. And it is totally serious about its laugh track; it is not some sort of meta-comedy. The parents act so simplistic and sitcomy that one wonders if Seth MacFarlane, when writing the pilot, thought to himself, "You know, the problem with Growing Pains is that it was just too deep."
All that being said, Rob Corddry is funny and it has potential, but I don't know how long it can last.
While being assaulted by the show's laugh track, though, what really got me thinking was the very existance of laugh track's to begin with. We all know why they're there: They help us laugh at things we might not normally laugh at. They are cues. But, it also reminds me that we tend to laugh in groups, and naturally we want to laugh with other people. The laugh track is really just like artificial friends. And with it, I'm not just sitting in my apartment, eating 3-day old chili and watching television on a Sunday night; the laugh track fools me into thinking I have a life.
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